“There’s a lot of things wrong with this country, but
one of the few things still right with it is that a man can steer clear of the
organized bullshit if he really wants to. It’s a goddamned luxury, and if I
were you, I’d take advantage of it while you can.” Hunter S. Thompson, “Fear
and Loathing in America: The Brutal Odyssey of an Outlaw Journalist, 1968-1976”
Social scientists often debunk the
practice of examining society through the depiction of heroes and villains, but
on the thirty-second anniversary of Martin Luther King’s “I Have a Dream”
speech and as civil rights veterans mourn the passing of 104 year-old Amelia
Boynton Robinson, I think the word hero is applicable in rare cases. A leader in the Dallas County Voters League, Amelia Boynton
helped
convince King to come to Selma, Alabama, and she was gassed and beaten at the
Edmund Pettus Bridge on “Bloody Sunday,” March 7, 1965. Praising her dedication, courage, and
indomitable spirit, President Obama said: “To honor the legacy of an American
hero like Amelia Boynton requires only that we follow her example – that all of
us fight to protect everyone’s right to vote.”
Jonathyne Briggs invited me to
attend his seminar on “1968: Chicago and the World.” After the Democratic National Convention some
referred to that city as Czechago, comparing police brutality towards
protestors to the Soviet invasion of Czechoslovakia that ousted reformer
Alexander Dubcek. Jonathyne asked
students whether they’ve been to Europe, and no hands went up. The furthest I got overseas in the 1960s was
Hawaii. I very much admired the Peace
Corps but stayed in college throughout the decade, working summers, in part to
avoid the draft. While those years for
me were like an extended period of adolescence, most IUN students work while
attending college and will still end up deep in debt.
After Jon explained why college
campuses were fertile nurseries of protest against authority, I incorporated
Tom Wolfe’s phrase “Probation Generation” to describe the police tactic of
busting demonstrators and those caught smoking pot and then holding arrest
records over their heads because a second offense could result in lengthy jail
time. Red Squads infiltrated antiwar and Black Power organizations in order to
sow dissension, prosecute leaders in court, and in some cases, assassinate them,
as happened to 21 year-old Fred Hampton while asleep in his apartment. At a funeral, attended by 5,000 people, Jesse
Jackson said: “When Fred was shot in
Chicago, black people in particular, and decent people in general, bled
everywhere.”
In Nicole Anslover’s class I’ll talk about the 1945 Froebel School
Strike. During World War II Gary’s black
population rapidly increased, but the city remained thoroughly segregated in
terms of housing patterns and public places.
The only school not segregated was Froebel, the so-called “immigrant
school,” but even there African Americans were second-class citizens. After the 1943 Detroit Race Riot Gary civic
leaders feared the same thing could happen in their city unless race-relations
improved. Froebel principal Richard
Nuzum made attempts to end some of the humiliating practices, which produced a
white backlash. On September 15 a fight erupted
at a football game between Horace Mann and Froebel. Angry that their school was treated
differently than all-white Horace Mann and tired, as one said, of being called
“nigger lovers,” several hundred Froebel students decided to boycott classes,
demanding that African Americans be transferred elsewhere and that Principal
Nuzum be fired. After a brief interlude,
during which time Nuzum was put on leave, a second walkout occurred when Nuzum
was reinstated. Strike leader Leonard
Levenda explained: “He told us he was
boss and the first thing he intends to do is open the girls’ pool to Negroes.”
In the midst of this crisis the Anselm Forum invited crooner Frank
Sinatra to participate in a Tolerance Concert at Memorial Auditorium. Cancelling a $10,000 gig, Sinatra came and
from the stage declared that the strike was “the
most shameful incident in the history of American education.” He blamed prejudiced parents for fomenting the
trouble and sang “The House I Live In,” which included the line, “All races and religions - that’s America to
me.” Ten days later the boycott ended. The following January, with another strike imminent,
Urban League director Joseph Chapman brought black and white student leaders
together, and after both sides aired their beefs, they agreed that all Gary
schools should be treated the same.
Subsequently the Board of Education passed a neighborhood school policy
although its effect was negligible due to segregated housing patterns.
I’ll have students read quotes from Froebel grad Garrett Cope, strike
leader Leonard Levenda, Tolerance Concert attendee Lois Mollick, and Urban league
director Joseph Chapman. If time permits
I’ll talk about two Gary Roosevelt grads, heroes in my book, IU football star
George Taliaferro and Vee-Jay records founder Vivian Carter.
With the steel industry contract due to expire on September 1, Chesterton Tribune reporter Kevin Nevers
outlined four possible scenarios if labor and management cannot come to terms: “The
union and company could agree to extend the contract while bargaining
continues; the union could strike; it could work without a contract; or the
company could implement a lockout.” If negotiations
fail, union leaders are planning a “massive
solidarity event” at Local 6787 headquarters. In a press release the United Steelworkers
declared:
This is a challenging time for us and our families. The uncertainty of the bargaining process,
especially in the face of concessionary proposals from ArcelorMittal, can be
incredibly stressful. But our union has faced serious fights throughout our
history and we’ve always fought back. We have won by standing together,
supporting each other, and remaining disciplined.
Accompanying a Post-Trib
article entitled “Dunes State Park celebrating 90th” was a photograph of
Governor Edward Jackson handing over a $32,000 check to Edgewater pioneer John
Bowers for 107 acres of land. Reporter
Teresa Auch Schultz credited ecologist Henry Chandler Cowles with spawning
scientific interest in Indiana’s dunelands and the Prairie Club for advocating
creation of a Dunes State Park.
Anne Balay shared Wendell Berry’s “The Peace of Wild Things,” about
finding solace among nature at night.
The poem concludes:
I come into the presence of still
water.
And
I feel above me the day-blind stars
waiting
with their light. For a time
I
rest in the grace of the world, and am free.
Berry wrote “The Unsettling of America: Culture and Agriculture”
(1996), a critique of agribusiness driving out family farming and the
subsequent destruction of nature by corporate forces interested first and
foremost in profits rather than the good health of the land. As Berry poetically put it: “The soil is the great connector of lives, the source and
destination of all. It is the healer and restorer and resurrector, by which
disease passes into health, age into youth, death into life. Without proper
care for it we can have no community, because without proper care for it we can
have no life.”
above, Jerry Davich and Karen Barluga Walker selfie; below, Eve Bottando
Plugging his “Casual Fridays” guest Eve Bottando, who is teaching
about selfies in an IUN “Mass Communication and Culture” class Jerry Davich
asked: “Why do we take silly or embarrassing selfies? What does our pose
or backdrop or props say about our personality? And what does this phenomenon
say about our society's pop culture these days?” Eve, who grew up in Gary’s Glen Ryan
subdivision and attended Banneker and Emerson, compared selfies to artists’ self-portraits. On the first day of class students identified
themselves using selfies, most in groups with friends as a way of
self-identification. Not the first professor
to offer such a course, Eve stated that it gives her a way to discuss legal and
ethical issues of mass communication in an interesting and relevant manner.
Playing classical guitar at a Brauer Museum reception
at Valparaiso University was Peter Aglinskas, ensconced in front of works by Ed
Paschke (“Strano”) and Andy Warhol (Campbell’s Onion Soup). Perusing an exhibition curated by Terry Kita,
was “The Sun Shines for Us All: The Friendship Dolls from Japan.” I thought of the erotic Japanese dolls (when
you turned them over) at the Kinsey Institute and the Shunga pillow books that served
as a sex manual for young brides. Museum
director Gregg Hertzlieb filled me in on a 2016 Sand and Steel exhibit in
Munster that we’re both involved with thanks to John Cain, executive director
of South Shore Arts. In attendance was
longtime director Richard H.W. Brauer, for whom the museum is named.
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