"Sand dribbles from my billfold
On the bar of the beach café
Two men in hardhats at the end of the
bar
Talk coho fishing and steel mills
And order another beer."
“Indiana
landscape,” Gilbert Laue
Gilbert Laue with Dot and son John, 1953
Gary’s lakefront
community of Miller Beach is my spiritual home, and I spent most of the weekend
there. The Beach Café is no longer the
hot spot it once was but still serves perch on Fridays and beer on tap at
its ample bar. I ate lunch with
historians Ron Cohen and Heath Carter at Captain’s House on Miller Ave. and
dinner there a day later with my bridge group.
Owner Angela McCrovitz is a master chef, the helpings are generous, and
the prices are unbelievably reasonable.
Angela with Robin Rich and Rebecca Hansom; NWI Times photo by John J. Watkins
Laue’s
“Indiana Landscape” poem concludes:
On the beach
sandpipers still
skitter at the wave-lap
barefoot boys still
find perfect-disk crinoids
perfectly
center-pierced by 10,000 years of water-wear
at the water’s edge
boys’ dogs still
cool their bellies in the cool water
and slurp long
drinks from the great lake
as if the dunes had
not been spoiled by man.
At Dick and Cheryl
Hagelberg’s Miller home within sight of the lake, I went outside to see their
garden, and Toni warned me about deer ticks.
Indeed, deer come right up to their house, bringing the tiny
lyme-disease carriers. In fact, Dick
found one on his upper arm that Toni excised with tweezers. Last year, Cheryl had a mild form of lyme
disease from one of the black-legged buggers.
Two things I don’t miss about Miller: deer and raccoons. In bridge Tom
Eaton and I started with a round of 1,430 points, and he edged me out for first
place by a mere 30 points. Playing
against Toni, who finished third, I bid 4 Spades, and she went 5 Hearts. I
doubled and she made it with an overtrick to spare; her partner was void
in Spades.
Sunday, after board
games with multiple-winner Dave and Tom Wade (who will fly soon to Russia to
see his new grandchild), I went to Miller Beach Farmers Market for a steak taco
and to learn details about open mike afternoons because Dave has expressed an
interest in performing, perhaps with James and Becca. They take place on the third week of every
month, and sets last approximately 20 minutes.
On stage when I arrived was Nevada Mike, performing the Men at Work
number “Down Under,” followed by Jim Croce’s “Bad, Bad Leroy Brown,” and a
medley that included “That’s Alright, Mama” and “Folsom Prison Blues.” Realtor Gene Ayers told me about efforts to
save Ming Ling’s Restaurant, the oldest commercial building on Lake Street and
originally Doc Bowers Drugs in 1910. The
interior is in bad shape due mainly to roof damage, and Ayers estimated that it
would take $250,000 to refurbish it. Some
folks want it to become a permanent landmark; others favor razing it to make
way for a sculpture garden and parking lot. Famous for its egg rolls, Ming Long’s was a
popular watering hole before Miller Bakery Café opened. My friend Clark used to go there Friday
evenings and lay bets on college football games. The next day, he and his bookie would settle
up, and he’d place bets on NFL contests.
above, ZorZorZor at Ming Ling's
"Blurred" by Kay Rosen
I ran into Bud and
Kay Rosen, our closest friends during the 1970s. Bud, who grew up on Gary’s Northside and
whose father was a florist, claims I was the one who first told him about Saturday Night Live. Kay, like Toni, is an artist, and we both were
subjects in some of her pieces. In one we and Bobbie Galler are walking in and
out of adjacent doors. In another, we
are switching seats.
At the Calumet
Artist Residency booth, I confessed being unable to come up with a single
original line to add to the citywide cooperative poem. Corey Hagelberg introduced me to a guy whose
contribution was a single word: Frogs.
Eureka: I can submit Tadpoles, Toads, and Toadies. Several years ago, Corey and Kate Land
created a sculpture garden next to his dad’s playground business, Kidstuff
Playsystems. In fact, they envisioned
the site, located near the railroad tracks, expanding into a cultural
center. What I’d really like to see in
downtown Miller is a bicycle and walking path near the railroad tracks from
Lake Street going west past their sculpture garden. Near the poetry tent, someone had carved out
an inviting-looking nine-hole chip and putt course similar to one Phil and Dave
designed on Maple Place encompassing our yard and the vacant lot next door,
where Dean and Joanell Bottorff once lived.
In
reply to my thoughts about Miller Beach Dean Bottorff replied: “Thanks for bringing back some memories of Miller
although my memories are somewhat different (Did I ever tell you about the time
when I was in a Miller bar and there was a bunch of bikers in there trying to
shoot the second hand of a clock? Maybe not.) Anyway, thanks for changing Joanell's name.
In more than 40 years together, she's never changed her last name to mine ...
maybe she's waiting to see if this deal works out. Great story!”
Working on a
crossword puzzle, Toni asked if I knew a knuckleballer named Phil. Easy: Phil
Niekro. More difficult was two-time
Wimbledon winner Lew in four letters. I
first said Head, but, mulling it over, changed my answer to Lew Hoad, an
Australian who, I subsequently learned on Google, won back-to-back Wimbledons
in 1956 and 1957. Aussies dominated men’s
tennis during the 1950s, winning the Davis Cup four out of five years beginning
in 1952. In 1954, the U.S. prevailed,
led by Philadelphian Vic Seixas. In 1955,
I watched Hoad win a Davis Cup match against Italian Nicola Pietrangeli at Germantown
Cricket Club.
Legendary sports
journalist Frank Deford died at age 78. Sports Illustrated reprinted Deford’s
gracefully written “Confessions of a Sportswriter,” (2010), which contained
this insight on interviewing: “there’s an
instinctive flirtation built in. It is
really only what you learned to do on a high school date. It’s ‘What kinda music do you like?’ taken to
a somewhat higher level.” Deford strove to carve out a
middle path between “Gee Whiz” mythmaking and “Aw Nuts” cynicism.
Ariana Grande and fan at Manchester Hospital
Two weeks after a
suicide bomber killed 22 people at an Ariana Grande concert in Manchester,
England, and less than 24 hours after another terrorist outrage in London, tens
of thousands attended Grande's One Love Manchester benefit concert, whose guests included Katy Perry, Justin Bieber, Pharrell Williams, Miley Cyrus,
and Coldplay. When Chris Martin sang a cover of the Oasis song “Don’t Look Back in Anger,” the
Manchester band’s frontman Liam Gallagher joined him on stage. Performing the Judy Garland standard “Over
the Rainbow” accompanied by a children’s choir, Ariana Grande choked up for
several moments before triumphantly singing the final chorus:
Someday I'll wish
upon a star
Wake up where the clouds are far behind me
Where trouble melts like lemon drops
High above the chimney top
That's where you'll find me
Wake up where the clouds are far behind me
Where trouble melts like lemon drops
High above the chimney top
That's where you'll find me
Oh, somewhere over
the rainbow way up high
And the dream that you dare to, why oh, why can't I?
And the dream that you dare to, why oh, why can't I?
Ron Cohen called to
compare notes on the weekend. After I
left Captain’s House, Heath Carter told Ron he hopes to return often to Miller
Beach and expects us to be guests when he teaches a Spring course on civil
rights in Northwest Indiana. Ron loves
to gossip about parties I wasn’t invited to, and at Larry Lapidus’ he met Anne
Balay’s former housemate Cathy, whose company Toni and I enjoyed at Emma’s
wedding. When Ron said, “You must know Jim Lane,” Cathy replied,
“I’m not sure, but I know a Jimbo.” In case Anne’s detractors or their toadies
are reading this blog, here’s a riddle:
Q: When is it time
for professors to retire?
A: When they forget
whom they’re feuding with and why?
Sadly, that time
has not yet come.
A strong north wind
created waves that reached the southern shores of Lake Michigan. Seagulls hovered nearby and Chicago’s Loop
was visible, as were steel mills to the west, as I picked up smooth rocks on
the beach and looked in vain for ancient crinoids. Despite warnings of dangerous undertows, two
intrepid folks with body surfing boards were catching waves. Youngsters shrieked as they ran into the cold
water.
William
Allegrezza’s “The Stray Gulls,” from “Step Below: Selected Poems, 2000-2015”
goes:
the stray gulls are
silent,
but working at
their circles
they approach the
cool
shadow of your body
inverted to white
and deep
in the barren
streets lining
the sand. our sickness
releases the smoke
echoes
at last. rain and
leaves
and like the
butterfly
frightened in
sleep,
i taste solitude
through
the creaking stone
and
go barefoot to the
altar’s ear.
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