You belong among the wildflowers
You belong in a boat out at sea
Sail away, kill off the hours
You belong somewhere you are
free.”
Tom
Petty, “Wildflowers”
As if
the worst massacre in American history wasn’t bad enough, Tom Petty passed away
suddenly at age 66. What is sad beyond belief is that the Las Vegas killings
were less shocking than the Rock icon’s death.
The Republicans claim to believe in a federal system but are lockstep
behind the NRA’s demand that cities like Gary, Chicago, and Las Vegas have the
same gun laws (or lack thereof) as Montana or rural Alabama. As my nephew Beamer Pickert put it: “Just
because bad people will do bad things doesn't mean we have to make it easier
for them kill more people more quickly. We CAN do something about the access to
rapid kill weapons.”
The
first I knew about Petty’s condition was driving home from IU Northwest and hearing
a complete set of Tom Petty songs on WXRT. At Chesterton library, someone was
checking out Tom Petty and the Heartbreakers CDs and commiserating with the person behind the
counter. Talking by phone to Marianne Brush,
I learned the story might be false only to have his death confirmed later. Rather than play more familiar CDs in my
collection, I put on his 1994 solo album “Wildflowers,” whose only hit single
was “You Don’t Know How It Feels.” In
their tributes to Petty, Brenden Bayer and Corey Hagelberg referenced the
Traveling Wilburys song “End of the Line,” which concludes:
Well it's all right, even if you're old and grey
Well it's all right, you still got something to say
Well it's all right, remember to live and let live
Well it's all right, the best you can do is forgive
Well it's all right, you still got something to say
Well it's all right, remember to live and let live
Well it's all right, the best you can do is forgive
Well it's all right, riding around in the breeze
Well it's all right, if you live the life you please
Well it's all right, even if the sun don't shine
Well it's all right, we're going to the end of the line
Well it's all right, if you live the life you please
Well it's all right, even if the sun don't shine
Well it's all right, we're going to the end of the line
Tom
Petty is one reason the late 1970s is one of my favorite musical periods; and
the Traveling Wilburys – bringing him together with Roy Orbison, Bob Dylan,
George Harrison, Jeff Lynne – was pure magic.
When “American Girl,” “Free Fallin’,” and other Petty classics come on
the radio, I turn the dial up and sing along.
Dave’s band Voodoo Chili played several of his songs, including “Don’t Come
Around Here No More.” Petty was beautiful when he began his career and
beautiful in spirit until the end – still at the top of his game, for instance,
at Wrigley Field this past summer.
Steve
McShane and I put together a Unit 154 Contract Bridge League glass case exhibit
in IUN’s library hallway, using items donated or loaned by Barbara Walczak, Joe
Chin, Anna Urick and Carol Osgerby. Some
date back to the 1890s and Whist, the forerunner of bridge. Barb Walczak designed the backdrop. Recent Newsletters on display contain photos of former IU Business professors Dan Simon and Ed d’Ouville. I
encouraged Steve’s students to invite their assigned bridge players to visit
the exhibit and to take selfies with them when they do so.
Austin Rogers
High
school history teacher Justin Vossler won $65,000 on Jeopardy in a single day.
Comfortably in the lead, he made a huge wager on Final jeopardy with the
category being American artists. The
clue asked what Iowa native once claimed he got his inspiration from milking
cows. Voila! The Pitchfork man, Grant Wood. His competitors guessed James Whistler (a New
Englander), but Vossler, who ran his five-day total to $110,000, nailed it. The
following day, Vossler lost to another history teacher.
Alan Yngve in 2014
Dee, my
bridge partner, was indisposed so I partnered with director Alan Yngve; we finished second, pretty good for never having played together. In one hand, Carol Miller, who with Mary Kocevar
finished first, preempted 3 Spades, and I held five Spades to the Queen. Alan doubled, wanting me to name my strongest
suit. I passed, ordinarily a cardinal
sin, but we set them 2, doubled, for high board. Another hand, Alan opened 1
No-Trump. I had four Hearts to the
Queen, Jack, a singleton spade, and an Ace of Clubs. I bid 2 Clubs, indicating a four-card major. He bid 2 Hearts, and I passed. He made 4 Hearts and afterwards said that,
with the singleton Spade, I could have said 3 Hearts. When Dottie Hart asked if Alan would then
have gone to game (4 Hearts), he said no, getting a laugh out of all of us
since our score would have been the same either way. He had a point, however, since, not knowing
how strong his hand was, I should have left the decision to him.
In a Rolling Stone article entitled “The
Madness of Donald Trump” Matt Taibbi ruminates about America’s past:
We
Americans have some good qualities, but we're also a bloodthirsty Mr. Hyde
nation that subsists on massacres and slave labor and leaves victims half-alive
and crawling over deserts and jungles, while we sit stuffing ourselves on
couches and blathering about our "American
exceptionalism." We dumped 20 million gallons of toxic herbicide on
Vietnam from the air, just to make the shooting easier without all those trees,
an insane plan to win "hearts and
minds" that has left about a million still disabled from defects and disease
– including about 100,000 children, even decades later, little kids with
misshapen heads, webbed hands and fused eyelids writhing on cots, our real
American legacy, well out of view, of course.
Nowadays
we use flying robots and missiles to kill so many civilians and women and
children in places like Mosul and Raqqa and Damadola, Pakistan, in our
countless ongoing undeclared wars that the incidents scarcely make the news
anymore. Our next innovation is "automation,"
AI-powered drones that can identify and shoot targets, so human beings don't
have to pull triggers and feel bad anymore. If you want to look in our
rearview, it's lynchings and race war and genocide all the way back, from
Hispaniola to Jolo Island in the Philippines to Mendocino County, California,
where we nearly wiped out the Yuki people once upon a time.
This is who we've always been, a nation
of madmen and sociopaths, for whom murder is a line item, kept hidden via a
long list of semantic self-deceptions, from "manifest
destiny" to "collateral
damage." We're used to presidents being the soul of probity, kind Dads
and struggling Atlases, humbled by the terrible responsibility, proof to
ourselves of our goodness. Now, the mask of respectability is gone, and we feel
sorry for ourselves, because the sickness is showing.
The
final song on Tom Petty’s “Wildflowers” album, “Wake Up Time,” ends with these
lines:
'Cause
it's wake up time
It's time to open your eyes
And rise and shine
It's time to open your eyes
And rise and shine
If only!
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