When I woke up, mom and dad are
rolling on the couch.
Rolling numbers, rock and rolling, got my Kiss records out”
Rolling numbers, rock and rolling, got my Kiss records out”
Nippon Bukodan
is an indoor arena in Tokyo first used for judo during the 1964 Olympics. The name means martial arts hall and is most
famous for hosting rock concerts. The
Beatles played Bukodan, for example in 1966 and other acts included ABBA,
Queen, Bob Dylan, Eric Clapton, Kiss, and many more, including Cheap Trick,
whose “Live from Bukodan” album is one of my favorites. It opens with a rousing “Hello There,” closes
with “Goodnight,” and contains the Fats Domino classic “Ain’t That a Shame” and
the hit single “I Want You to Want Me.” My favorite cut is “Surrender,” much
superior to the studio version and a staple for Dave’s Band “Voodoo Chili,” before
which he’d often invite me up to sing the chorus with him. I saw the power pop band from Rockford,
Illinois, led by guitarist Rick Nielson and singer Robin Zandar twice at the
Holiday Star in Merrillville, once in the tenth row with Dave, a niece, and her
boyfriend. The warm-up band drummer
threw a sharp-pointed broken drum stick into the audience that landed between
the two. It could have taken an eye out.
“Someone's got it in for me
They're planting stories in the press
Whoever it is I wish they'd cut it out quick
But when they will I can only guess”
They're planting stories in the press
Whoever it is I wish they'd cut it out quick
But when they will I can only guess”
Bob Dylan, “Idiot Wind”
Bob
Dylan’s earlier albums “The Times They Are A-Changin’” (1964) and “Highway 61
Revisited” (1965) had a greater impact on music and society, but my favorite
Dylan recording was his fifteenth studio effort, “Blood on the Tracks”
(1975). Initially receiving mixed
reviews, it is one of Dylan’s most personal and has since been acclaimed as a
classic. Side one opens with “Tangled Up
in Blue” and “Simple Twist of Fate” and contains “Idiot Wind,” which I inevitably
sing along to; the highlight of side two is the tale of “Lily, Rosemary and the
Jack of Hearts.” What a treat from the
ever-surprising minstrel of folk and pop, known affectionately to Tom Petty,
George Harrison, and Jeff Lynne as Boo Wilbury.
“Don’t let me down
Take me to another shore”
“Alda Reserve, “Ancient Lies
My favorite band that hardly anyone has heard of is Alda Reserve, whose lone album was “Love Goes On” (1979). The brainchild of keyboardist Brad Ellis, it was released by Sire records after legendary music executive Seymour Stein (who signed the Talking Heads, Ramones and Pretenders) heard the band at New York’s CBGBs. When “Love Goes On” received mediocre reviews, the record company failed to promote it. Compared unfairly to The Doors and not punk enough for purists, the album nevertheless got airplay on Chicago radio station WMET, “the mighty MET,” (now a country station), where I must have heard it. There’s not a bad song on the album, which includes “Some Get Away,” “Whiter Than White,” “Pain Is Mine” (with the line, “She looked at me with kamikaze eyes”), and my favorite, “Overnight Jets.” I know still know every word to “Overnight Jets.” There aren’t many; each verse contains a four-syllable phrase repeated four times: “Overnight Jet,” “Land on the Dunes,” “When the Windows Shine,” and “Don’t Know Her Name.” I found Alda Reserve songs on YouTube, including a couple from the ill-fated second album never released on vinyl. Bill Daily wrote of “Some Get Away: “This tune was my college band’s signature song.” It opens:
“Standing on the edge of night, it takes me
away
Hiding away from the light, been waiting
all day”
In
a 1915 interview Brad Ellis spoke of coming to New York City and living with a cousin
Virginia whom he described as an artist and commie. After moving to the Bowery
and becoming part of the East Village gay and punk scenes, he began a 14-year
relationship with painter Carl Apfelschnitt.
Ellis lost numerous friends during the AIDS epidemic. He told an interviewer, “I can’t say I really knew Gary Indiana but I have had some cordial
conversations with him. I didn’t just
like his book, I loved it.” Gary
Indiana (born Gary Hoisington in 1950) was a prolific author (“Rent Boy,” “Gone
Tomorrow”), actor, director, playwright, and Village Voice art critic.
I
try not to dwell on inconveniences caused by the pandemic since my situation is
in no way comparable to those suffering economic hardship or illness, but it
would be nice to know when it will abate and what the “new normal” will
be. I recently learned that a National
Humanities Conference session I’m part of was accepted as well as a paper to be
presented at the Oral History Association conference. Both are scheduled for October, also the
month my high school reunion is supposed to take place. We’ll see.
I
received this email from Elaine McKearn:
My mother was born
in Gary, Indiana 1918. She was baptized Josephine Kankowski. She attended a
Catholic school until third grade. She graduated from Gary Horseman High
School. She married Bert Laskowski in 1938. I was born in Gary in 1943. We have
reconnected with almost all of her first cousins who all are presently living
in Southeast Poland as well as near Chelm, PL and Lublin. She died in 2009 in La Porte, Indiana as well
as my father in 2000. I recently (Jan
26, 2019) did a presentation to the Polish Genealogical Society of California
at the LDS Family Center in Los Angeles.
I have a lot of memories of Gary during my childhood.
I
replied that I’d like to know more about where her parents lived and works as
well as her Gary experiences and added:
Very interesting email. As you may know, in addition to having
written a history of Gary, I am co-director of the Calumet Regional Archives at
IU Northwest. We'd be interested in
obtaining a copy of the paper you presented and, although closed now along with
the university, would welcome a visit if you come to NW Indiana in the
future. Some of our manuscript
collections might be of interest to you, as well. We also have Horace Mann yearbooks that your
mother might be in.
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