For more than a half century beginning in the 1870s Chautauqua
summer programs brought culture, information, and entertainment to millions.
Founded on the shore of Lake Chautauqua in southwestern New York, Chautauqua
began as a Methodist camp dedicated to training Sunday School teachers, yet
almost from the beginning prided itself on being nondenominational. A successor
to the Lyceum Movement that stressed adult education as essential to democracy,
Chautauqua lectures were not only religious but reformist, motivational, informational,
and instructive. In July of 1891, for
example, urban progressive Jacob A. Riis, author of the 1890 expose of New York
City tenement house conditions, “How the Other Half Lives,” spoke on “The
Children of the Poor.” Other celebrities
at Chautauqua that summer were Social Darwinist philosopher John Fiske, the
Reverend Edward Everett Hale, and the feminist Julia Ward Howe. Riis returned to Chautauqua often, as did
other distinguished personages at the turn of the century. Other communities emulated the Chautauqua
example.
brochures from 1906 and 1920
In 1904 the movement expanded with the beginnings of “Tent
Chautauqua.” Enterprising booking agents
put together a Chautauqua Circuit, providing local communities with an impressive
lineup of speakers. Within a decade over
10,000 communities hosted programs ranging from a few days to weeks. In
addition to Jacob Riis, the financial rewards attracted such popular speakers
as Mark Twain, William Jennings Bryan, Robert La Follette, and Frances Willard. Free thinker Robert Ingersoll could speak
knowledgeably about topics as varied as William Shakespeare, Postwar Reconstruction,
and Agnosticism. Baptist preacher Russell Conwell was in such demand for his
“Acres of Diamonds” oration that the founder of Temple University ultimately
gave the speech over 6,000 times, all over the world.
By the 1920s lecturers began to share equal billing with
entertainers, as singers, magicians, yodelers, and theatrical groups joined the
traveling caravans. In 1925, for
instance, a cast performing Gilbert and Sullivan’s “The Mikado” began an
extended tour in Abbeville, Louisiana, that concluded in Sidney, Montana. By
this time, vaudeville tours were the rage, held in movie emporiums sprouting up
all over the country. The days of the
Chautauqua Circuit were numbered; summer programs near Lake Chautauqua,
however, still attract tens of thousands of registrants each year.
Kevin Nevers found this nugget for Chesterton Tribune’s “Echoes of the Past” column:
100 Years Ago, the Red Grenadiers Bank band and male chorus, great
lectures on timely topics: these are the notable attractions which will appear
here on the 1920 Redpath Chautauqua. The
entire program is replete with features of compelling interest and
timeliness. Featured guests will include
Dr. George Park, who will lecture on “The Man of the New Age;” Earl H. Hipple,
“Wizard of the Xylophone<” and Judge Manford Schoonover, who will give his
great lecture, “Unseen Forces.”
IU Northwest’s summer adult education series, Senior College,
was cancelled due to the pandemic. I was
scheduled to speak on the state of Rock and Roll music in 1960. I’d given the talk to Munster seniors and was
looking forward to interacting with students, including jazz pianist Billy
Foster. I’m on the Munster Center for
the Arts schedule for next year that may or may not go forward, given the
current uncertainty. Topic: the underrated early 1960s in popular music: from
Chubby Checker to the Beatles: surf sounds, soul music, and the girl
groups. And more.
This month Ron Cohen was to have spoken to the Merrillville
History Book Club on Glenn Frankel’s “High Noon: The Hollywood Blacklist and
the Making of an American Classic.” On the surface a traditional western
starring Gary Cooper and Grace Kelly, shot on a shoestring budget in less than
five weeks, “High Noon” won four Oscars in 1953 and achieved box office
success. Debuting at the height of the
Red Scare, the film celebrated moral courage and loyalty. Screenwriter Carl
Foreman had increasingly regarded the script as an allegory for the Hollywood
witch hunt taking place as he wrote. Hauled
before the House UnAmerican Activities Committee in the midst of the
production, Foreman, a Communist Party member in the 1930s, refused to name
names of fellow members and was blacklisted as a result. He subsequently co-authored “The Bridge on
the River Kwai” screenplay, uncredited.
After sending federal troops in marked uniforms to Portland,
allegedly to protect federal property in defiance of the Mayor and Oregon’s
governor, which escalated the confrontation (moms and the Mayor himself have
been tear-gassed, Now Trump is sending others (purportedly from ICE, Homeland
Security, AFT, Border Petrol, and other agencies) wants to send other units to
Chicago and Albuquerque, again not invited and over threats of legal action, in
order to fight combat gun violence. Ray
Smock wrote:
12,000 Chicago Police Officers do not need help from 3 or 4 hundred
members of Trump's Goon Squad, assembled to cause disruptions in major cities
with Democratic mayors. This is what fascism looks like. Don't pretend this is
normal. State and local officials have not asked for federal help. If Trump
wants the pandemic to be run by the states, why does he feel it takes federal
officers in battle gear to handle mostly peaceful protests?
Trump
has enablers in some cities that will help him make this seem legitimate. It's
ironic that the state's rights Republicans are willing to tolerate federal
incursions into state authority. They will only argue it is unconstitutional
when Democrats do the same to Republican strongholds.
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