“Tomorrow is my turn
No more doubts no more fears
Tomorrow is my turn
When my luck is returning
All these years I've been learning to save fingers from burning
Tomorrow is my turn”
No more doubts no more fears
Tomorrow is my turn
When my luck is returning
All these years I've been learning to save fingers from burning
Tomorrow is my turn”
Nina Simone, “Tomorrow Is My Turn
Joe Biden fulfilled a pledge to select a strong
woman as his running mate by choosing California Senator Kamala Harris, and
former district attorney, attorney-general, and rival for the Presidential
nomination. In typical dismissive style, POTUS called Harris nasty and inconsistently
branded her a radical leftist who will disappoint Bernie Sanders supporters. He even resurrected the racist “Birther” argument
maliciously deployed against Obama even though Harris was born in Oakland,
California. Eric Trump retweeted a
misogynist calling the choice “a whorendous pick” and a Trump spokesperson
sniped that Harris sounded like Marge Simpson. Initially I had hoped for Amy Klobuchar but am
rapidly warming to the choice. She’s
been thoroughly vetted and Biden is comfortable working closely with her. Her biography is inspiring, the daughter of
an Indian and Bahamian immigrant scholars who met at Berkeley through their involvement
in civil rights issues. Valparaiso councilman Rob Cotton wrote: “A vital characteristic of authentic leadership is evident in
what Joe Biden said. Something to this effect, ‘I asked Kamala to promise me
that she'd always be the last person in the room. To ask me the tough
questions, to challenge my perspective, and freely offer your own without fear
of disagreeing with me.’” Ray Smock believes Kamala Harris is the most
significant VP pick since a critically ill FDR selected Harry S Truman in 1944.
Recent TV watching includes the Clint Eastwood
film “Richard Jewell,” about a security guard wrongly accused by the FBI and
press of planting the bomb during the 1996 Olympics at Atlanta’s Centennial
Park. The title character was grossly overweight, lived with his mother (played
fetchingly by Kathy Bates), was overly zealous, and naïve about the forces
arrayed against him. The only sour note was an exaggerated, sexist depiction of
reporter Kathy Scruggs as one who would do anything to break a story, including
sleeping with sources. In real life both
the victim and Scruggs died young but in Jewell’s case not before learning of
the 2003 confession of terrorist Eric Rudolph, an anti-abortion militant who
also bombed two health clinics and a gay bar.
Similarly, the biopic “Judy” shows how child actor Judy Garland was a
victim of Hollywood moguls forcing pills on her (uppers and downers) and
holding her to a ruinous diet while she played Dorothy in “The Wizard of Oz” –
leading to a lifetime of addiction and sleep disorders.
I enjoyed the HBO “Perry Mason” mini-series
starring Matthew Rhys, who shined on the long-running series “The Americans.” The original CBS “Perry Mason,” debuting in
1957 and starring Raymond Burr, played a role in my wanting to become a
lawyer. It was based on crime fiction
stories by prolific Erle Stanley Gardner, who published hundreds of books, including
70 about Perry Mason, beginning in the mid-30s.
The 60-minute shows climaxed with Mason out-dueling prosecutor Hamilton
Berger, often with a confession from the stand. In the mini-series Mason starts
out as a private investigator, secretary Della Street saves the day, and
African-American Chris Chalk plays investigator Paul Drake while William Hopper
(son of gossip columnist Hedda Hopper) assumed the role in the original.
Feisty bridge buddy Helen Boothe sent this
letter to the Chesterton Tribune:
Since
the flat earthers are still refusing to wear masks, perhaps we can persuade
them to wear their “Trump” arm bands, so we will know from whom we must keep
social distancing
Ray Boomhower cited turn-of-the-century
novelist Edith Wharton (1862-1937), author of “The House of Mirth” (1905), “Ethan
Frome” (1911), and “The Age of Innocence” (1920): “The true felicity of a lover of books is the luxurious turning of page
by page, the surrender, not meanly abject, but deliberate and cautious, with
your wits about you, as you deliver yourself into the keeping of the book. This
I call reading.” A bisexual whose
childhood nickname was Pussy and who engaged in lesbian affairs with Janet
Flanner and Theodore Roosevelt’s sister Corrine, Wharton was the first woman
Pulitzer Prize recipient.
Anne Koehler (right, in younger days) wrote of being unfamiliar with
pop, folk or other culture when she and her husband came to America from
Germany six decades ago. She recalled:
I
picked up a booklet "Folk Music USA" in Chicago and gradually came to
know the people featured in it through their music. On WMFT Studs Terkel
interviewed people from all walks of life. On Saturday night we did not miss
the "Midnight Special,” a program of folk music and satire. On New Year's
Eve they would pull out all the stops. Linda Anderson would bring many good
programs and entertainers on campus at IU Northwest and it was through one of
these that I got to hear Peggy Seeger In the 1990s IUN professor Ronald Cohen
organized a folk music conference at Indiana University in Bloomington, which
my family attended. We slept in dorm rooms.
After Toni and I played bridge online
with Charlie Halberstadt and Naomi Goodman, it being a beautiful evening, the
four of us decided to dine outside at Wagner’s Rib Restaurant in Porter, only
we discovered upon arrival that it was closed. A staff member, it turned out,
had tested positive for the coronavirus. Charlie suggested the Village Tavern,
where I had attended several annual reunions of our Seventies Porter Acres
softball team. Inside, I recalled, was
so heavy with cigarette smoke that I stripped and showered as soon as I got
home. We arrived wearing masks and found an outdoor table; the only others
donning masks were the waitresses. When
a guy who arrived on a motorcycle wearing a holstered sidearm asked one why she
had it on, she replied that it beat being out of work. My hamburger and fries
were delicious and the 20-ounce Yuengling refreshingly cold. It was the first time Toni and I dined out
since March.
Charlie Halberstadt gave me a dozen
CDs that he hadn’t played in years and intended to get rid of one way or
another. He had shown me a list of
almost 200, mostly jazz, and I opted for Ramsey Lewis performing “The In Crowd” and several Nina Simone
albums. Born into a poor North Carolina
family in 1933, probably the worst year of the Great Depression, Simone was a
prodigy on the piano and won a scholarship to the Julliard School of Music in
New York City. Her vocal career took off
with the George Gershwin song “I Loves You, Porgy.” In 1963, at the height of her fame, she
recorded “Mississippi Goddam” in reaction to the assassination of NAACP leader
Medgar Evers. In retaliation, Simone claimed, the IRS and FBI hounded her for a
decade. A fixture at civil rights
events, in 1969 she recorded “To Be Young, Gifted, and Black.” She titled her
1992 autobiography, “I Put a Spell on You,” after her trademark ballad.
While on a bicycle ride along Route 12, Photographer Martha Bohn detoured to take some great shots of Beverly Shores vistas.
While on a bicycle ride along Route 12, Photographer Martha Bohn detoured to take some great shots of Beverly Shores vistas.
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