“Land on the Dunes
Land on the Dunes
Land on the Dunes
Land on the Dunes.”
“Overnight Jet,” Alda Reserve
Land on the Indiana dunes has been
used for housing and heavy industry but also for recreational and
preservationist purposes. When the
Indiana Dunes National Lakeshore forced us (and other leaseholders) from our
home atop a sand dune in the vanishing community of Edgewater, a ranger
estimated that the house would be demolished in the spring of 2011. It is still standing 18 months later. I have no desire to visit until the
property is reduced to nature. The
park came into being during the 1960s due to a compromise between
environmentalists and advocates of industrial development, namely steel
mills. Fortunately our condo is
just down the road from Dunes State Park and close to Waverly Beach.
Services at Ogden Dunes Community Church
celebrated the life (and mourning the passing) of Bob Selund, who I’d always
sit with when the Merrillville History Book Club met. My friend was a biology teacher in Highland before becoming
a lawyer. He and wife Judy were
once in our bridge group, along with the Hagelbergs, Passos, and Copes. He’d greet folks with a big smile and
booming voice, and a large crowd was on hand to pay respects, including Judge
Ken Anderson and Lake County surveyor George Van Til. The service was two Christian for my taste, but I enjoyed a
hymn entitled “As the Deer (pants for water)” that called Jesus a “real joy-giver”
and “apple of my eye” (a phrase found, to my surprise, in the Bible). A member of the Save the Dunes Council,
Bob loved camping, and Toni and I once visited the Selunds and the Passos at
their campsite at Dunes State Park.
Tori, her school’s top runner,
finished thirteenth out of about 80.
Near the end, when a girl passed her, she broke into a sprint and beat
her to the finish line. After we
checked into Hampton Inn, I swam laps and used the whirlpool before eight of us,
including Anthony (fresh from soccer practice) went to Chili’s.
At the ArtPrize Festival in Grand
Rapids were 1,517 entries vying for prize money totaling $360,000. Many were outside, and the largest
concentration was in or near The B.O.B. (Big Old Building). Quite a few artists were on hand to
explain their work and make a pitch for people’s vote. Weston Rayfield titled
his shadow-box “100 Years” and had vintage newspaper front page stories about Charles
Lindbergh’s trans-Atlantic flight and the killing of bank robber John
Dillinger’s in Chicago and illustrations dating from the end of the Civil War
to the arrival of the Beatles and including mention of. The piece “Earth Undone” showed a world
map with depictions of ecological disasters such as Chernobyl and destruction
of Brazilian rain forests. A
three-dimensional art object consisted of Scrabble tiles spelling out arts and
entertainment icons such as Upton Sinclair to Joe Cocker. My favorite, “Friends,”
by Nigerian-American Nnamdi Okonkwo, was a sculpture of three full-bodied
African women on a bench.
Sunday after winning two of three
board games at Dave’s, our court hosted the condo picnic, postponed due to
inclement weather the previous day.
It was a small but sociable group; almost everyone from our court
attended, including Marva, Ken and Christine, new neighbors Nicole and Mike,
Sue and Dave, and octogenarian Joan Gucciardo, who when the conversation turned
to tattoos exclaimed, “I have one.” During the Red Scare school officials
ordered kids to be branded with their blood type. They stopped the practice when an embarrassing large number
did not match the type of either parent.
Joan spent many hours at the Country Lounge, nicknamed Hunky Hollow. Sue once needed to talk to her husband,
whom she knew was there, and dialed information. When she asked the African-American telephone operator the
number for Hunky Hollow, or perhaps Honky Hollow, she replied, “Are you
shittin’ me?”
I’ll start next month’s talk on
record company entrepreneur Vivian Carter by noting that throughout the
twentieth century there has been a white market for black musicians, especially
among young people, starting with ragtime, jazz, and blues and continuing with
swing bands and crooners such as Cab Calloway, Nast King Cole, Lena Horn, and the
Ink Spots. Little wonder baby boomers in the 1950s sought out music that
reflected their hopes, fears, and dreams.
Then I’ll play 1956 hits, “The Magic Touch” by the Platters and “My Blue
Heaven” by Fats Domino. The former
was a ballad similar to Ink Spots hits, while the latter added a rock and roll
beat to an 1920s standard. After
telling how Henry Farag got hooked on doo wop music after hearing the Vee-Jay
recording “Oh What a Nite” by The Dells (a group from Harvey, Illinois, led by
Johnny Funches) on Vivian Carter’s radio show, I’ll solicit memories of
people’s first rock and roll awakenings.
Ron Cohen attended a weekend Woody
Guthrie tribute in Brooklyn that featured performances by Pete Seeger and Steve
Earle. Back for a Monday evening
book signing at the Savannah Gallery, he introduced Fred Chary as the person
who hired him and me as someone who started the same day he did in the fall of
1970. Student Rhonda “Red” Woodville
performed four numbers, demonstrating her dexterity on acoustic guitar, two
Woody classics (“Nora Lee” and “So Long, It’s Been Good To Know You”) and two
of her own compositions. Nora Lee
was both Woody’s mother’s name and the name of his daughter, the apple of his
eye and curator of his personal papers.
My Fantasy team had a good week and
would have defeated The Powerhouse in a rout had Anthony not had the Bears’
defense and had Aaron Rogers not scored a paltry 9 points. Even so, I triumphed 90 to 78 and am
the only undefeated team. Luck has
been with me.
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