“Dreaming of Maria Callas
Whoever she is.”
“E-Bow the Letter,” R.E.M.
WXRT focused Saturday on 1993, one of
my favorite years musically. In a
single set I heard a live version of XTC’s “The Things We Used To Do on Grass,”
“Low” by Cracker and “All Apologies” by Nirvana. Later came “Mr. Jones” by Counting Crows and “Because the
Night” by 10,000 Maniacs. Although
R.E.M.’s “Automatic for the People” came out late in 1992, the single “Everybody
Hurts” was big in 1993.
Thanks to a heads up from Karren Lee,
we attended “Opera Night at the Gardner Center” at the old Miller Drugs, now an
art gallery. Friends were on hand
included Gene and Judy Ayers, Nancy and Ron Cohen, and Kate and Corey Hagelberg.
Larry Lapidus presented his
documentary “La Divina: The Life and Career of Maria Callas.” Not being an opera buff, I knew little
about Callas other than she once was the mistress of Greek shipping magnate
Aristotle Onassis. Born in New
York City, reared in Greece, and trained in Italy, she revolutionized opera
with her skill as an actress, breathing life into roles she played. One critic referred to B.C. and A.C. –
before and after Callas. Watching clips of her performances, what struck me was
how little her hands moved (Ronald Reagan employed a similar technique in his
public speaking). Emotions came
almost entirely from facial expressions; when she did make a motion with her
fingers or arms, it was all the more dramatic. Growing up, punk rocker Patti Smith, who sang back-up vocals
on R.E.M.’s “E-Bow the Letter,” wanted to be an opera singer like her idol
Maria Callas.
Phil’s family saw Lights in the Night
in downtown Grand Rapids, which is part of the ArtPrize festivities. Miranda took a cool photo that she put
on Facebook.
Sunday after gaming we attended
“Shout: The Mod Musical” at Memorial Opera House in Valpo with Kate and Corey,
whose parents were on a European cruise and had left us their tickets. The play followed five British young
women during the Sixties and employed such familiar songs as “To Sir with
Love,” “Downtown,” “Son of a Preacher Man,” “These Boots Are Made for Walkin’,”
and the Isley Brothers classic title song. The women write letters to “Shout”
magazine’s prudish advice columnist, who dispenses such bromides as: get
married, have kids, change your hairstyle, try a new nail polish color, don’t
be a slut. In the end she’s fired
and replaced by one of the five. An elderly in front of me was singing and
swaying so much I expected her to get up and twist to “Shout.” Though the play touches on sexism and
female stereotyping, the one was upbeat and celebratory of women enjoying more
freedom to chose what lifestyle to pursue.
Caught the end of the Redskins’
exciting win over Tampa Bay and stayed up for the Eagles victory over the hated
NY Giants. Field goals, one made,
one missed, decided both contests.
In between I listened to Band of Horses and Green Day. Thanks to the Houston defense I
remained undefeated in Lane Fantasy Football despite foolishly playing
Houston’s ben Tate and Buffalo’s Steve Johnson. Americans blew a big lead in failing to capture the Ryder
Cup from the Europeans, not that I really cared.
The new issue of Indiana Magazine of History contains my review of “Thyra J.
Edwards: Black Activist in the Global Freedom Struggle” by Gregg Andrews as
well as two excellent articles about Gary and the Region. “Concrete in the Steel City” by
Christopher Baas, subtitled “Constructing Thomas Edison’s House for the Working
Man,” discusses efforts to build fireproof affordable housing by utilizing a
method patented by America’s most famous inventor of constructing a complete
domicile with a single cement pour.
While the idea enthralled urban reformers, U.S, Steel’s motivation was simply
profit-oriented. By 1914 92 units
were available, occupied by Tin Mill foremen, clerks, and skilled workers, most
of whom came from plants in the East.
Located within the Northside First Subdivision rather than in the Southside
immigrant wards, they served their purpose well, but no further construction of
these models took place in the Steel City, concrete being more expensive than
wood or brick. Baas concludes, “That many of the century-old houses are
still occupied is a testament to their design and quality of construction, and
further evidence that costs were their downfall.”
I was an anonymous reviewer for Katherine
Turk’s “‘A Fair Chance To Do My Part of Work’: Black Women, War Work, and
Rights Claims at the Kingsbury Ordnance Plant.” For Gary women recruited to
make ammunition at a plant located 40 miles away in rural LaPorte County, the
work was dangerous but the wages worth it. Once positions were filled for the
assembly lines designated for black women, Kingsbury officials ignored further applications
from others. The President’s Committee on Fair Employment Practices (FEPC)
received numerous complaints of discrimination in hiring practices and working
conditions. As Turk writes, “”African American and white women did not
intermingle at leisure time. On
the job they ate lunch and took breaks in separate areas. At white women’s insistence, separate
bathrooms were designated for women of each race. In the event of an air raid, workers knew to proceed to the
bomb shelter specific to their race as well.”
On my advice Turk made use of Steel Shavings oral interviews with Mary
Kay Maisal, Robert Gyurko, Joan Cobb, Wanda Jones, and Adrana Turner. In a footnote making use of Sanita A.
Turner’s “Working and Jitterbugging” Turk wrote: “The wartime economy created unprecedented new opportunities for Adrana
Turner, who moved to northwest Indiana from Georgia in 1943 when she was
eighteen. She worked frying donuts
until she finished high school, when she found assembly line jobs at General
American and Pullman-Standard. In
1945, she had saved enough money to but a house in cash.”
I congratulated Indiana Magazine of History editor Eric Sandweiss on the excellent
IMH issue, and he wrote that the Ordnance article “benefitted a LOT” from my
feedback and asked if I’d review another article about housing in East
Chicago. I agreed. Coincidentally, I received word that I was selected to
receive the Indiana Historical Society’s 2012 Dorothy Riker Hoosier Historian
Award “as nominated by Eric Sandweiss.”
I mentioned it to Steve, and he said he wrote a letter on my behalf. A winner last year was Donald E. Pitzer,
author of “America’s Communal Utopias” and “New Harmony Then and Now.” I’ll receive the award at a Founders
Day Dinner in Indy in early December.
While cleaning my teeth Dr. John
Sikora showed me a 1973 Post-Trib
clipping of an article I wrote about Ruth Nelson, who was a distant relative of
his wife. They got a kick out of
my wild hair in the accompanying photo.
I asked John if he wore his hair long back then, and he said, no because
his dad was a barber. Once when
the old man visited him at IU, he gave him five bucks and told him to get it
cut. That was one of the only
times someone other than his father cut his hair while he was alive. I told him that my dad bought a kit and
cut my hair a few times but that we’d always fight about the length until
finally it became too much and he gave up.
Perhaps not realizing (or not caring)
that the Bears were playing Dallas on Monday night football, Bernie Holicky
moved up the condo board meeting from 7:30 Wednesday so it would not interfere
with the Presidential debate.
Under pressure from the bank and realtor, we dropped our liens on a unit
whose owner has been in bankruptcy so that a short sale could take place and we
could start collecting the money from the new owner. For most of the meeting we discussed landscape needs and
finally wrapped things up around 9:20, just before Devin Hester scored a TD to
help Chicago crush the Cowboys 34-17.
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