“Then I wake up, Mom and Dad
Are rolling on the couch
Rollin’ numbers, rock and rollin’
Got my KISS records on.”
“Surrender,”
Cheap Trick
Ron Cohen gave me the July 11 New York Review of Books containing rock critic Michael Chabon’s
article “Let It Rock.” When he was at
Pitt in 1983, poet Ed Ochester, gave him a copy of “Rock Lyrics as
Poetry.” With Bob Dylan recently
inducted into the American Academy of Arts and Letters, Chabon analyzed
elements that poetry and song lyrics have in common. Of course, they serve different
purposes. Only rarely (Leonard Cohen’s
“Suzanne,” for example) do lyrics retain their power when spoken. Even so, Chabon includes memorable lines from
Cheap Trick, Warren Zevon (“Little old
lady got mutilated late last night”), and Jim Morrison (“There’s a killer on the road, his brain is squirming like a toad”).
As rock critic Robert Christgau wrote: “Dylan is a songwriter, not a poet. A few of his most perfect efforts – ‘Don’t
Think Twice,’ or ‘Just Like a Woman’ – are tight enough to survive on the
page. But they are exceptions.”
Hermione Lee’s article, “Willa Cather: A Hidden Voice,”
mentions that Sharon O’Brien’s 1987 biography claimed the novelist (“O
Pioneers,” “My Antonia,” “Lucy Gayheart”) was “a lesbian artist writing a story of desire in her fiction that had to
remain coded and covert.” Her lover Isabelle McClure, daughter of
magazine publisher S.S. McClure, married a guy who gave her kids, social
status, allowed her to keep her own money, and even tolerated Willa
accompanying them on vacations. The one
ultimately guilty of possessiveness – love’s evil twin - was Willa. When Isabelle McClung, died, Willa obtained
possession of letters between them and promptly burned them. Many others have survived, including one to
Louise Pound, whom Willa had a crush on at school. She lamented: “It is manifestly unfair that ‘feminine friendships’ should be unnatural.” She wrote frequently to Dorothy Canfield
Fisher, whose 1924 novel “The Homemaker”
examines a couple switching roles for which each is better suited – she
goes out into the working world and he becomes a house-parent.
above, David Schalliol and Jimbo; below, Corey Hagelberg
Samuel A. Love sent along great photos of our Wednesday
excursion with University of Chicago photographer David Schalliol and artist
Corey Hagelberg, including two from Carolina Park in the old Pulaski
neighborhood. Even though the park is in
bad shape, many nearby homes are well kept by Gary’s unsung heroes, residents
eager to reclaim their neighborhoods.
above, Samuel A. Love with Pastor Katura Johnson; below, Karren Lee
The Buddhist monks completed their mandala sand painting
at the Gardner Center, hopefully home base for Camilo Vergara’s dozen photographs
of murals honoring Martin Luther King.
Let’s hope the Miller Beach Arts and Creative District embraces the
project, gives them adequate space, and is open to a reception.
above, 4 Brothers Market; below, Memorial Auditorium ruins; photos by David Schalliol
David Schalliol reported to Camilo Vergara that we hoped
to use the Gardner Center as a home base and then to “regularly
transport the photographs out of gallery into the city to visit everything
from youth programs to more official places. Possible sites include the Central
District Organizing Project (2452 Massachusetts Street), the Carolina Pavilion
(1395 Carolina Street) and 4 Brothers (1139 E 21st Ave). The photographs may
eventually be installed in an abandoned site, likely the Memorial Auditorium
Building lobby.” Camilo sent this
status report around the country: “Gary is moving along with the help of David
Schalliol, Jim Lane, Samuel Love and Corey Hagelberg. The posters will
rest for a bit in Miller Beach and then travel to community organizations where
they will become the focus of community meetings and discussions. The poster
show will end its days at the [Memorial] Auditorium, a very impressive ruin
where it will decay.”
In Chuck Gallmeier’s Juvenile delinquency class a lively
discussion ensued over whether Paula Cooper’s actions were premeditated and
whether she should have been allowed to go free after 28 years. I mentioned how much Paula has changed since
1985; as Bill Pelke said, she really isn’t the same person. The crime was so ill-planned that Paula left
her demin jacket at the murder scene with her name on a bottle of birth control
pills in the pocket. We talked about
the pros and cons of judicial discretion – in some case much, in other cases
such almost done, as in the case of some drug laws or where state have passed
“three strikes” statutes. Also Indiana
and other states reduce time to be served for good behavior.
During the second half of the three-hour class I showed “The
Central Park Five,” a Ken Burns documentary. Five teenage boys were convicted in a 1989 assault
and rape case involving a jogger who nearly died and had no memory of what
happened to her. Matias Reyes, whose DNA
matched blood and semen samples, later admitted acting alone. The verdicts were set aside but only after
the five had served their jail terms. The
two-hour film humanizes the five victims and casts a harsh light on NYC
officials’ eagerness to quickly solve the case and the racism of the tabloid
press, inventing such phrases as “wolf pack” and “wilding” to portray black
youth as a menace to public safety. Unlike
this case, the four teens involved in killing 78 year-old Glen Park resident
Ruth Pelke were tried as adults and received sentences ranging from 25 to 60
years (and originally for Paula, the death penalty). Led by Pope John Paul II and Pelke’s grandson
Bill, opponents of executing Paula sent 2 million signatures to Indiana
lawmakers, who subsequently proscribed the death penalty for those under the
age of 16 when they committed a crime but specifically excluded Paula. Nonetheless, in a separate case the U.S.
Supreme Court in 1988 commuted the death sentence od someone under 16. A year later the Indiana Supreme Court
reduced Paula’s sentence to 60 years.
The girl I feel most sorry for is Denise Thomas, 14 at the
time of the murder. She probably joined
Paula Cooper’s circle for security or a need to find acceptance and probably
didn’t realize Paula would kill Ruth Pelke when they went to her home on that
fateful day. At her trial Chicago Tribune reporter John O’Brien
described her as slightly built and looking younger than her years. She claimed that she cried in horror when
Paula started stabbing Ruth Pelke and refused to hold the knife in her even
though Paula threatened to kill her. She
denied hitting Ruth with a glass bowl that contained her fingerprints, claiming
she just picked it up to examine it. She
wrote a note to a friend saying she hit someone with a vase but may have just
been fabricating the story. Even if she
did hit the victim with an object, it probably was at Paula’s orders and hardly
a fatal blow. Instead of being tried as a juvenile, which is where her case
should have gone, she received a sentence of 25 years. Both she and her attorney, Richard Wolters,
Jr., cried when the judge pronounced the sentence. By the time she was released she was a
middle-age woman in poor health.
Her plight reminded me of what Kathryn Hyndman wrote about
Willa Mae, forced by circumstance into situations which resulted in her being
incarcerated most of her life. They were in Crown Point jail together when
Kathryn was a political prisoner during the Red Scare. She wrote: “Reading her obituary, I thought of lovely Willa Mae’s wasted life and
wondered if anyone came to the funeral.
All she was now was a notice in the paper. Did anyone except myself weep for her? How many more Willa Maes are there in this
rich country? Who cares about them? To the solid law-abiding citizen it was just
one more sinner being put into the earth, six feet down. Dear Willa Mae, I wish you could somehow know
that I will never forget you. Rest in
peace, dear child, you knew so little of it in life.”
The new Illinois medical marijuana law would allow
purchases of 2.5 ounces every two weeks.
I doubt if even Cheech and Chong consumed that quantity.
Nephew Beamer Pickert, like me a Bucknell alum, sent along
a policy statement by university president John Bravman banning further Homecoming
Weekend events. Last spring, he
announced, 15 inebriated students had to be hospitalized and other offenses
ranging from burglary to public urination were widespread.
Marianne Brush found on YouTube a 2011 Russian TV
broadcast entitled “Dying Industrial Town Gives Look at the Ghost of America’s
Future.” Anastasia Churkina interviewed
Steve McShane at City Methodist Church and me in front of an abandoned building
near IUN. My only line was that the city’s
two growth businesses were strip clubs and truck stops. Leave it to those Russkies to slam the good
old USA.
The Archives was bustling Friday with David Trafny
researching Glen Park, three volunteers at work, and a visitor from Indiana
Dunes national Lakeshore. I left early
and watched the season two opener of “The Sopranos.” I’ve already noticed how much the Tony Soprano
character’s gestures resemble brother-in-law Sonny and almost fell out of my
chair at a scene where he is playing solitaire like Sonny often does.
Phil arrived for a long weekend, so we dined at Sage
Restaurant and then played Uno with Angie, James, and Becca. Because of rain delaying Phil and Dave’s
morning golf date, we got in five-player games of Amun Re and Acquire with Tom
and Brady Wade. Dave finished a close
second to me in Amun Re and to Phil in Acquire. In the evening we played four
pinochle games and reminisced about Little League and softball highlights.
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