“The past is gone
But something might be found
To take its place.”
“Hey Jealousy,” Gin
Blossoms
The Valparaiso Popcorn Festival began in 1979, inspired
by Hoosier Orville Redenbacher having opened a seed corn plant nearby in 1951
with Charlie Bowman. Redenbacher moved
to Colorado in 1990 and died five years later at age 88 suffering a heart
attack while in a Jacuzzi and subsequently drowning. Two years ago Cracker headlined the
festival’s main stage; this year’s main attraction: Gin Blossoms.
Steve McShane asked me to be on a panel at the
Calumet Heritage Partnership’s fall conference in October about using archives
and other heritage resources to discover new perspectives. The venue is the Pullman State Historic Site,
which I’ve never visited, so I said yes.
After getting Kathy Malone’s permission, I
prepared to give away 70 copies of my latest Shavings, which includes information on Gary legislators Vernon
Smith, Charlie Brown, and Earline Rogers.
I transported them on an Archives flat cart and found the long greeting
table filled. Not wanting to cause
trouble, I left the cart in front of an easel on which the day’s agenda was
printed. Some jerk-off wanted it moved; no
problem, I put it under another easel containing a poster with photos of the
participating legislators. I left for 15
minutes; when I returned, the cart was across the hall next to the bathrooms
where very few people would notice it. The
jerk-off, who moved it, claimed the Channel 56’s film crew needed the space
unobstructed. In frustration I went over
to the cart, picked up a half-dozen magazines, and slammed them down. It made quite a bang, to my surprise. I left to cool off and 15 minutes later found
the cart in a perfect place at the near end of the table where traffic would
pass on the way in and out of the conference center. A young lady I hadn’t met before with the
Black Legislative Caucus was nice as could be.
The Channel 56 cameraperson, a former student of mine, told me she
hadn’t requested that the cart be moved and was planning to interview
legislators away from the table and easels.
Once the 70 magazines were in full view, they went fast; I gave them
personally to Earline Rogers and Charlie Brown, pointing out where they were
mentioned.
I took Chris Young to see the Camilo Vergara
display, his research field being public memory. In Savannah Center we ran into a Purdue Cal
Education professor, LaVada Taylor Brandon, who teaches social studies methods
and is interested in oral history. We directed
her to the Dunes Building, and I promised to send her my Shavings issue on Vietnam Vets from the Calumet Region.
Samuel Love arrived at noon to help me take down
the Vergara display. I kept two prints
to take to my history book club meeting Monday.
The topic is Martin Luther King’s autobiography, edited by Clayborne
Carson. The rest Sam will install for
the Midtown black party at 24th and Massachusetts. Sam and I discussed using YouTube segments as
classroom aids. For a class on America
since 1900 he found You Tube especially valuable at illustrating past musical
trends.
Jim Morrow of the Lake County tourism board
visited the Archives in search of the “petting picture” where John Dillinger
had his arm around the shoulder of Estes.
Maurice Yancy copied one from my Gary book. I did him one better, giving him a copy of
volume 41 that had the photo in it.
Mike Olszanski posted a Facebook notice about
Anne’s forthcoming “Steel Closets.”
Labor Studies professor Thandabantu Iverson commented: “Dr. Anne Balay's work is groundbreaking. She helps us to learn
about the subjugated lives--the experiences and daily strategies of
resistance--of working-class men and women who are all too often ignored
because of their sexual orientations. Dr. Balay challenges us to think more
expansively about working-class identity and the urgency of building human
rights struggles as working-class struggles.”
Good old Thandabantu! IUN’s minority faculty are rallying around
Anne.
A landscape company has been seeding a lot across
from IUN’s library where an apartment formerly stood. Someone evidently peeled out on it, leaving
an ugly rut. I told a guy tending the
grass that I couldn’t believe someone could be such a jerk. He replied, “I’m surprised more people haven’t done it.”
Because I’ve been so busy, I’ve been falling
asleep in front of the TV. One night I
left the downstairs fridge door open.
When Toni discovered it the next morning, she told me it was time to
defrost the sucker. The next I left ice
cream out all night after taking a few spoonful’s before bed. Gotta watch myself.
WXRT
played a 1980 Clash song, “Pressure Drop,” I’d never heard before in a set with
Lonnie Brooks’ “Sweet Home Chicago” and Warren Zevon’s “A Certain Girl.” It wasn’t up to their normal brilliant
standards.
Paul Kern just finished reading Tony Judt's
Postwar: A History of Europe Since 1945 (2005). He wrote that Judt, who died
three years ago of Lou Gehrig’s disease, “is
especially strong on Eastern Europe. During the Cold War, American historians
were afraid to tell the truth about Eastern Europe for fear that they would
look like McCarthyite fellow travelers and so they viewed the fate of Eastern
Europe with colossal indifference. Now a new generation of historians - Timothy
Snider, Anne Applebaum, Jan Gross, Marci Shore, and Judt - are writing
compelling histories that make clear the tragedy of Eastern Europe in the
twentieth century.”
above, Alicia Nunn; below, Frederic, Blandine, Councilman, Ron Matlock, Jimbo, photo by Maurice Yancy
For Saturday’s Central District Organizing
Project’s Midtown Block Party Samuel Love put the Camilo Vergara prints of
murals along the front yard fence, and he had more photos of MLK on the
clubhouse itself. On hand were
filmmakers Frederic Cousseau and Blandine Huk, who had attended a
Gary/Southshore RailCats game the night before with Dick and Cheryl Hagelberg. I introduced them to Gary activist Alicia
Nunn of Grant Street Theater, Ron Matlock, who is on the Calumet Township
Board, and a youthful looking Councilman-at Large Ron Brewer. Frederic and Blandine interviewed a woman
from Miller who spoke fluent French and got some good photo opportunities. Archives volunteer Maurice Yancy introduced
me to a woman he’s known since third grade.
A man from Miller bought a large produce box of free fruit, which hit
the spot on the hot afternoon.
It was drizzling on the way to the Popcorn
Festival, but the rain held off and I thoroughly enjoyed the music of the Gin
Blossoms and local band par excellence the Crawpuppies (whom South Shore
Convention and Visitors Authority CEO Speros Batistatos called Crawdaddies). After one long medley, Chad Clifford of the
Crawpuppies joked, “That’s all the songs we know.” He brought his young sons out to help
with the chorus to “Hey Jude.” I was
pleased the Crawpuppies performed several original songs. I ran into old softball teammates Mike Kubiak
and Dave Serynek and ended up in the first row with Marianne and Missy Brush
and had a nice conversation between acts with Missy’s fiancé Tyler Arcuri, an
EMT who asked how things were at IUN and, like me, hopes the state legislature
will authorize a badly needed trauma center near the university.
The Gin Blossoms, from Tempe, Arizona, were quite
good although lead singer Robin Wilson kept urging the audience to clap their
hands above their heads and wanted them to sing the choruses to “Hey, Jealousy”
rather than just do the damn song himself.
The original lead vocalist Doug Hopkins committed suicide in 1993
shortly after recording “Hey Jealousy,” and the band didn’t even perform his
other big hit “Found Out about You,” incidentally my favorite Gin Blossoms
tune. The band’s name, I learned, came
from the caption “W.C. Fields with gin blossoms” in Kenneth Anger’s “Hollywood
Babylon,” which was making fun of the comic actor’s bulbous nose and ravaged
face. At one point Robin Wilson jumped
off the stage and gave high fives to folks in the front row. Mike Heckler had a glass of beer in his hand
and when their hands met, the beer spilled all over Wilson. He looked shocked but he might have
instigated the contact.
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