“Mr. Braukoff was beating his wife with a red hot poker and has
empty whiskey bottles in his cellar.” “Tootie Smith in “Meet Me in St. Louis”
Kelli Manigrasso, Raegan Smedley and Lexie Coberg as Smith sisters
Toni and I enjoyed a Memorial Opera House
production of “Meet Me in St. Louis.” Ten
year-old Raegan Smedley was fantastic as youngster Tootie Smith. While her
older siblings were proper young women, as befitted the American hinterland in
1903, Tootie was full of spunk and mischief.
She created fantasies about a neighbor poisoning cats and burning their
remains in his furnace. She’d claim her
dolls died and stage funerals for them.
After losing a tooth in the process of carrying out a prank, she claimed
sister Esther’s boyfriend had tried to kill her. Like granddaughter Becca, Raegan always remained
in character. According to the Playbill,
she (like Becca) previously played Molly in a production of “Annie.” Sunday’s
performance was the last of a three-week run.
At curtain call Raegan broke out in tears but, like a trooper, bravely
completed the last number before losing it.
It was akin to how Tootie would have reacted to an important phase of
her life coming to an end.
At intermission I ran into Rich Van Meter, Raegan’s
grandfather, whom I used to bowl with at Cressmoor Lanes. His wife Lynn, a former student, had written
about her father-in-law for an assignment. I published this excerpt, entitled
“Deck Her,” in my “Postwar” Steel
Shavings (volume 14, 1988):
Steelworker Richard Van
Meter’s first home in Gary was the Knights of Columbus Hotel. Starting work in 1949 at Gary Sheet and Tin’s
160-inch plate mill, he made approximately $250 every two weeks. One of his favorite hang-outs was the Local
1014 union hall, which had a tavern and two bowling alleys in the
basement. During his first visit there
two women got into a fist-fight. One was
named Virginia Decker, and the crowd chanted “Virginia Deck – her.”
Not all the women patrons
at the union hall were rowdies. In fact, Richard met his first wife there. They loved to dance and found a hang-out
named “Little Hawaii” (at 422 Virginia St.) where they became well-known
because of their dance prowess.
Kristie Van Meter (Raegan’s mother, perhaps?),
wrote about former Nursing student and professor Linda Rooda, excerpts of which
appear in my oral history of IU Northwest.
Excellent dancer Graham Votaw played Tootie’s brother Lon. I wondered if he might be Geology professor
Bob Votaw’s grandson. No sign, however,
of my old colleague.
Based on short stories by Sally Benson that
originally appeared in New Yorker magazine,
“Meet Me in St. Louis” was originally a film starring Judy Garland as Esther
and Margaret O’Brien as Tootie. Its
first Broadway run was 1989. In addition
to the title song, other familiar numbers include “The Trolley Song” and “Have
Yourself a Merry Little Christmas.” In the
final scene of both movie and play the Smith family attends the 1904 St. Louis
World’s Fair. On the east wall was a huge replica of the 1944 movie
billboard. Scores of people had painted
a small square not knowing what the finished product would be.
Jimbo, second from right, and cast in "Meet Me in St. Louis"
My senior year at Upper Dublin I played Grandpa
Prophater I “Meet Me in St. Louis.” I
had white powder in my hair and granny glasses.
I couldn’t see much with them on and once went on stage wearing my
regular glasses by mistake. Grandpa Prophater,
played by Memorial Opera House regular Mark McColley, had numerous clever lines
and brief solo parts in several musical numbers – something I don’t
remember. Was our production even a
musical? It had to have been. My friend Chuck Bahmueller and sophisticated
Judy Otto played Tootie’s parents.
thespian Mark McColley
My first visit to St. Louis was on the way back
from Kanas City with Toni’s mother Blanche, who loved the Museum of Western
Expansion, located in the same facility as Gateway Arch. We also went there to spend Thanksgiving with
Kirsten and Ed Petras and had a drink at Chuck Berry’s Blueberry Hill
nightclub.
Bob Dylan did not show up to receive his Nobel
Prize, but Patti Smith sang “A Hard Rain’s A-Gonna Fall.” Dylan sent a message
that read in part: “Please know that I am most definitely
with you in spirit and honored to be receiving such a prestigious prize. If someone had ever told me that I had the
slightest chance of winning the Nobel Prize, I would have to think that I’d
have about the same odds as standing on the moon.”
Larry Werner in front of his display; NWITimes photo by Jonathan Miano
It snowed all weekend but didn’t accumulate so much as
predicted because the temperature hovered around freezing. Saturday our bridge
group dined at Abuelo’s in Merrillville before playing eight rounds at the home
of Brian and Connie Barnes (I finished second to Dick Hagelberg). As we were
leaving, Brian and Connie directed us to Teal Crossing, a nearby subdivision,
where the Werner family had assembled a fantastic Christmas display. Danny
Werner told NWI Times reporter Vanessa Renderman: “As
a kid, I looked at Christmas lights with my family. We used to get in the
station wagon with hot chocolate and drive around for hours. Everything has
been designed by me and fabricated by either me, my friends or people I know.
I'm trying to keep it clean and classy. You won't see a blow-up, an inflatable.
I won't do it. It's not me. I try to do everything myself. I don't want to go
to a store and buy it.”
Post-Trib correspondent Nancy
Webster’s feature on pioneer Cedar Lake resident Peter Surprenant, a French
Canadian whose wife LaRose was from an Algonquin tribe, included an interview
Peter’s great-great-great grandson Nathan Surprise. When the Potawatomi got forcibly removed from Northwest
Indiana, he said, the family was allowed to remain, in his words, “as long as they kept their Indian heritage
to themselves.” Around that time
Peter changed his last name from Surprenant to Surprise. The patriarch allegedly
lived to 109, and his tombstone contains the dates 1794-1903. In my Cedar Lake Steel Shavings (volume 26, 1997) I use this passage by historian
Beatrice Horner, a family descendent:
In 1833 the area’s first
settler, Frenchman Peter Surprenant (Surprise) brought his sharp-eyed,
black-tressed Indian wife LaRose and his six-month old son Henry to a small log
cabin home southwest of Cedar Lake in an area that became known as Pleasant
Groves. They fished often in the waters of Cedar Creek and trapped and hunted
nearby. With Potawatomi as neighbors, the Surprise family took root to
eventually number eight living children.
Nancy Webster also wrote about local artists,
including Jesse Johnson and Corey Hagelberg, whose work will adorn Gary bus
shelters, thanks to a $25,000 grant administered by the Legacy Foundation. IUN student Johnson, 50, told Webster: “I look at the bus I get on and I
thought “Bus 22” (above) would be a good painting. Everybody knew each other, and I
loved the connection they had with each other.”
Thanking me for Jean Shepherd’s “In God We Trust: All Other in Playboy magazine. Gaard Logan said she and Chuck were big fans of his New York City radio show. “In God We Trust” begins with the New York sophisticate visiting his Region home town after many years:
I could see
the cab driver giving me the eye in his rear view mirror. He was wearing the standard Midwestern work
uniform of lumberjack, corduroy cap, and a red face.
He mopped his windshield
with a greasy rag. The cab’s heater was
making the windows cloud up. Outside I
could dimly see the grimy streets lined with dirty, hard ice and crusted drifts
covered with that old familiar layer of blast-furnace dust; ahead of us a long
line of dirt-encrusted cars carrying loads of steelworkers, refinery slaves,
and railroad men to wherever they spent most of their lives.
We continued to rattle
through the smoky gray Winter air. I
watched a giant gasworks drift by our port side. On the starboard a vast, undulating sea of junkyards
rolled to the horizon.
A crossing gate banged
down in front of us, its flashers angrily blinking off and on. A warning bell clanged deafeningly as a giant
Diesel locomotive swept across our bow, towing a short string of smelly
tankers. Four brakemen clung to their
sides, yelling to one another as they roared past.
In a Time
issue announcing Trump as Person-of-the-Year columnist Joe Klein eulogized
Barack and Michelle Obama:
There would be
little melodrama and absolutely no hint of scandal during his time in office.
The conservative fever swamps would be no less pustulent than they were during
the Clinton presidency–indeed, the level of race-based hatemongering was
frightening–but somehow the Obamas never let it get to them. They radiated a sense
of militant normality, a mother-knows-best family on the world’s brightest
stage. The First Lady let the White House staff know that Sasha and Malia would
make their own beds. The President went up to the residence for family dinner
most nights. The First Lady planted a vegetable garden. She gave her husband
grief when he got too full of himself . . . .
Their physical, emotional and intellectual grace was daunting. They
never lost their cool in public. He controlled a supersharp sense of irony; he
was never harsh.
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